It’s been a long time since I’ve read a book that was as easy to enjoy as Dorothy Lambert’s All I Desire (1936). Hermia Carlisle retreats to a small village in southern England with the mistaken belief she will be able to lead a quiet life where she can get on with her writing career. But how could she have known that there she would come across not one, but two, people from her past. With the help of her daughter Jeremy—yes, you read that correctly—Hermia has a successful writing career, but one thing after another seems to distract her from her writing. In amongst the chaos, she still manages to get swept away by the current “situation” she is working out in her head. Hermia’s writing is inspired by these “situations”. It’s no wonder. Her life seems to always have been full of the most unbelievable situations, which lend well to her stories.
This book was light and frothy, without being annoyingly so. The little world of Holm Street was such a delightful and idyllic place to spend time. It was such fun to get swept up in all the drama that seems to arise out of almost nothing. Although, it did make me wonder why anyone would think a small little community would be the right place to go looking for peace and quiet! In Holm Street, there is always something going on. Between teas, the cricket, meetings of the women’s institute, village fêtes, plays, and neighbours stopping by at any odd hour, not to mention people from one’s past dropping in—as if out of the sky—to stir things up, it’s a wonder Hermia manages to get any writing done.
Not that she writes the books herself, exactly. We find out early on that Jeremy, who acts as her mother’s secretary/personal assistant/housekeeper cleans her mother’s books up, rewriting them to help them land with a more modern readership. Jeremy just drops that truth bomb into a conversation with her mother, and Hermia is shocked. She believed Jeremy was simply typing her novels up for her. Meanwhile, Jeremy has been rewriting Hermia’s books without her knowledge! Hermia isn’t entirely pleased to hear that she essentially writes situations which her daughter reworks, but she must admit, book sales have risen significantly since Jeremy started working with her.
Mother and daughter cause quite the stir amongst their fellow villagers. When Jeremy shows up to watch the village cricket match, she is snubbed by one of the other young women for not wearing a hat or stockings and looking “so common, just like a beachcomber”.
It was cricket that Jeremy came to watch, and the spectators did not interest her in the slightest degree. Being an astute young person she was perfectly aware of the interest she had created. Mrs. Fenwick’s disapproval made her chuckle. Mrs. Marsh’s share of curiosity, Alberta’s indifference, Chrissie’s deliberate rudeness and Daphne Fenwick’s hostility were all noted and dismissed. “Washed out!” Jeremy’s shoulder twitched in a faint shrug, and she turned her back on Holm Street society. (39)*
This village community which is inhabited by an eclectic array of characters is described with a wonderful sense of humour. Dorothy Lambert’s writing reminded me a lot of another Furrowed Middlebrow author I love, Molly Clavering. If you enjoy Clavering’s writing, I feel sure you will appreciate Lambert’s. I think Clavering’s writing is a bit more descriptive in terms of scene setting, while Lambert’s prose has such ease that it feels deceptively simple. I have no doubt it takes a lot of effort and skill to write a book that flows as well as this one does.
That isn’t to say that Lambert doesn’t write beautiful descriptions, as well as sharp dialogue. The following passage provides a positively delicious description of the landscape when Ian, a mechanic at the local garage, drops Jeremy’s car off.
Later that evening lan cleaned and polished the baby car and drove it to the Manor. The rain had ceased and the mass of storm clouds was dispersing in feathery trails over a clear greeny-blue sky, while the evening sunshine was pale and watery. The road was covered with wide pools of water here and there, and Ian drove carefully to avoid getting the nicely- cleaned car mud-splashed. The gate was open and he drove straight in and up the drive, which was still weed-grown and untidy. The old red-brick house had climbing roses hanging on its walls, and a straggling mass of yellow honeysuckle grew round the hall door, scenting the air with its lovely fragrance. The big trees on the lawn dripped heavily from their rain-soaked foliage, and the grass was sodden. The long shadows lay across the green grass, and Ian, who was susceptible to atmosphere, felt oddly thrilled at the beauty of the quiet scene—almost, he thought, one of enchantment, the tall trees so dark against the clear, pale sky, the grass in the deserted garden so vividly green with the fingers of yellow sunlight slanting across the masses of untidy rambler-roses and making them uncannily bright and colourful.” (69)
Isn’t that lovely?! Lambert beautifully sets the scene for a meaningful moment between Ian and Jeremy.
But as I said, Lambert is great at writing sharp, witty dialogue, too. There is a particularly funny interaction between the judgmental Mrs. Marsh and the vicar, which looks as though it could last indefinitely, as Mrs. Marsh is too interested in talking about Holm Street’s newest inhabitants to pick up on social cues. Thank goodness, Mr. Bunyard, the local carpenter, comes to the vicar’s rescue.
“There!” said Mr. Bunyard suddenly, pointing. “Over there in that car, ma’am—that’s her.” [meaning Hermia]A car was travelling slowly along the road across the Green, and Mrs. Marsh turned and scuttled away to the corner in order to see the occupant as it passed.“Oh,” remarked the Vicar, “so that really is the person who is causing so much excitement.” Mr. Bunyard made a gesture of indifference.“Bless you, sir, I don’t know who it is, but it seemed a good way to escape. Mrs. Marsh, she’s a bit of a sticker.”“Oh, good egg!” exclaimed the Vicar delightedly. “You’re a man of resource, Bunyard, a man of resource!” (23)
There are too many funny interactions in this book to count. It was a joy to be immersed in all of the little tiffs and squabbles between these characters.
I always enjoy learning more about the authors Dean Street Press republishes through reading the introductions they publish alongside. Elizabeth Crawford provides this insight into Lambert,
We know nothing of Dorothy’s life with her parents, sister, one surviving brother and three servants in the ‘big house’ of Roskeen, nor anything of her education. However, from her Irish novels one might deduce that she relished an outdoor life, felt comfortable with neighbours from all levels of society, and had a hearty appetite for life’s possibilities. (8)
The other tidbit I gleaned from Crawford’s introduction is that Lambert, whose life spanned the years 1884 to 1967, published her first book, Redfern M.F.H. (1929), when she was forty-five years old. I always find it encouraging when I hear about a writer publishing their first book in the second half of their life. (It means there is still hope for the rest of us who desire to see their stories in print, but haven’t yet accomplished the feat!) Lambert went on to publish twenty-seven books over twenty-four years.
This is the first Dorothy Lambert book I have read and it won’t be my last. Thankfully, it is among four of this author’s books which are being republished on 1 July 2026 by Dean Street Press under their Furrowed Middlebrow imprint. The other titles are Scotch Mist (1936), Staying Put (1941), and Harvest Home (1950), all of which I will be reviewing in upcoming posts. Back in 2020 Dean Street Press republished another of Lambert’s novels, Much Dithering (1938), which I have yet to get my hands on, but I will no doubt want to read if her other books are anything like All I Desire.
Thank you to Dean Street Press for kindly sending me a copy of All I Desire for review. As always, all opinions on the book are my own.
My review of Dorothy Lambert’s Scotch Mist will be posted tomorrow. Hope to see you then!
*All page numbers are from the ebook and may not correspond to the paperback edition.
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